后殖民主义视角下的“伪满洲国”日本女性——以牛岛春子为中心  

The Female Image in the Works of Japanese Writer Ushijima Haruko in “Manchukuo” ——Focusing on the story “Female”

作　　者：郑颖[1] 

机构地区：[1]大连科技学院,辽宁大连116052

出　　处：《大连大学学报》2014年第1期69-74,共6页Journal of Dalian University

基　　金：辽宁省教育厅人文社会科学研究项目(W2012281);住友基金国アジア国にわけゐ日本研究助成(128040)

摘　　要："伪满"的日本左翼转向女作家牛岛春子,在她的短篇小说《女人》中,细腻而深刻的描述了女性的心路历程,在"伪满"这个殖民地男权社会里,作为女性,牛岛春子感到了自卑,她为了谋求与男性相同的地位和权利,极力地强调夸大只有女性才能做到的事情一生子。并且在战争中,"母性政策"和"贤妻良母"政策的大背景下,刻画出了"军国母亲"的形象。"伪满"的日本女性,可以说既是殖民地男权社会中感到自卑的受害者,对于殖民地的人民来说,又是不可否认的加害者。The paper focuses on the Japanese writer Ushijima Haruko in Manchukuo. Based on her short story“Female”, the paper analyzes the problems derived from puppet Manchuria she had encountered with, explores the conditions of puppet Manchuria then from the perspective of female. In order to interpret the novel“Female”comprehensively and objectively, the paper also makes an analysis of another two works by Ushijima Haruko, her essays “Write about Myself”and “A Certain Smile”written after-war. Set in the patriarchal society of puppet Manchuria, Ushijima Haruko felt deeply inferior as a woman. Therefore she emphasized and overstated the thing of giving birth to a baby that can be only conducted by women, for the purpose of seeking the same social status and rights as that of men. During the war, Ushijima Haruko completed the mission of colonial power unconsciously. Japanese women in puppet Manchuria can be considered as both victims of inferiority in the patriarchal society of colony and undeniable inflicter in the eyes of the people of colony.

关 键 词：“伪满”日本女性 性别歧视 母性 殖民主义 

分 类 号：I209.9[文学—中国文学]