嵇康的飞翔诗篇  

Ji Kang's Poems on Flying

作　　者：林田慎之助 曹旭[2] 

机构地区：[1]神户女子大学 [2]上海师范大学人文与传播学院,上海200234

出　　处：《中北大学学报（社会科学版）》2014年第1期1-8,共8页Journal of North University of China：Social Science Edition

基　　金：国家社科基金项目:诗品.文心雕龙比较研究(11BZW019);教育部人文社科基金项目:宫体诗的美学历程(10YJA751006);国家重点学科:上海师范大学比较文学与世界文学专业建设项目

摘　　要：在魏末正始诗人嵇康留存至今的七十多首诗中,歌唱飞鸟的诗不仅在数量上引人注目,且在诗歌形象的完整性、丰富性方面,与他以前的同类诗相比也有划时代的提高。嵇康在飞翔诗中歌唱的飞鸟,全都是鸾、凤、焦朋等具有超越时间、空间飞翔神力的灵鸟和大鸟。这些灵鸟(大鸟)强劲蓬勃的生命力不仅体现了嵇康对庄子的飞翔哲学的形象化表现,也反映了他在老庄思想里获得了与宇宙自然之道一体化和毫无拘束的自律自足精神,并将这种精神内化为自己赖以生存的方式和文学创作的指导思想。Among the 70 poems written by Ji Kang in Late Wei and early Zhengshi Dynasty, many describe birds. Compared with his predecessors on bird themes, they are epoc-making not only in the number, but also in the integrity and richness of poetic imagery. Birds Ji Kang describes in his poems are all big ones as Luan, phoenix, or Jiao Peng, who are time- and space-transcending with spirit. Their strong vitality not only reflects the performance of Zhuangzi＇s philosophy of flying, but also reflects the natural integration with the universe and unfettered spirit of self-sufficiency from Zhuangzi minds. And it is his guiding ideology and his own way of survival within the spiritual and literary creation.

关 键 词：嵇康 飞翔诗 飞鸟意象 文学思想 

分 类 号：I207[文学—中国文学]