试论舞蹈表演中的内心独白——以《丝路花雨》英娘为例  

On Inner Monologue of Dance Performance:Taking Ying Niang in Tales of the Silk Road as an example

作　　者：赵乔[1] 

机构地区：[1]北京舞蹈学院中国古典舞系,北京100081

出　　处：《北京舞蹈学院学报》2014年第1期77-80,共4页Journal of Beijing Dance Academy

摘　　要：在影视表演艺术理论中,将内心独白视为进行表演的重要环节之一,它是塑造人物行为、表情、动作的依据,使人物形象更加真实鲜活。但是,在舞蹈表演领域中对内心独白的认识和解读,并未引起舞者们足够的重视。本文旨在解析舞蹈表演中的内心独白,结合自身实践以舞剧《丝路花雨》英娘的角色塑造为例,谈在实践中如何建立符合一定情境的、置身于人物内心世界的内心独白,从而为更好地塑造人物、表达思想情感服务。In the theory of performing arts in film and television, the interior monologue is regarded as one of the important aspects of performance, shaping the character behavior, expression, action and making the characters come to life. However, knowledge and interpretation of inner monologue applied in danee performance is still an unknown area drawing little attention of dancers. This paper attempts to analyze inner monologue of danee performance based on the authorg own dancing experience as Ying Niang in Tales of the Silk Road, explaining how to create inner monologue corresponding to certain situations and the inner world of the characters, so as to better express characters and their feelings.

关 键 词：内心独白 舞蹈表演 人物塑造 

分 类 号：J712.1[艺术—舞蹈]