温克尔曼的“诗画一致”论及其反思  

Winkelmann's Theory of “Similarity of Poetry and Painting” and Its Reflection

作　　者：杨向荣[1] 龙泠西[1] 

机构地区：[1]湘潭大学,湖南湘潭411105

出　　处：《阅江学刊》2014年第1期98-104,共7页Yuejiang Academic Journal

基　　金：第51批中国博士后科学基金面上资助项目"文学与图像关系研究:基于‘语-图’关系史的考察"(2012M510063);第6批中国博士后科学基金特别资助项目"图文关系的学理渊源及其张力研究"(2013T60230)

摘　　要：温克尔曼的"诗画一致"论从诗画艺术的理想宗旨、本质、内容、形式、表现等多个角度阐发诗与画的同构性。温克尔曼从理论上建立起诗画艺术的联系,形成系统的"诗画一致"论,为莱辛的诗画异质观的提供了学理渊源。温克尔曼的"诗画一致"论也是诗画关系的一种理论形态和思路,为当下读图时代的图文关系研究提供着学理支撑。Winkelmann＇s theory of ＂the similarity of poetry and painting＂ expounds the isomorphism of poetry and painting, from the perspective of ideal aim, essence, content, form, performance of the art of poetry and painting. Winkelmann theoretically established the connection between poetry and painting, forming a sys- tematic theory of ＂the similarity of poetry and painting＂. It offers an academic origin of Lessing＇s heterogeneity of poetry and painting theory. At the same time, Winkelmann＇s theory of ＂similarity of poetry and painting＂ is also a kind of theoretical forms and thoughts of the relationship between poetry and painting. It provides a theo- retical support of the study on the relationship between the image and text in the current time of picture reading.

关 键 词：温克尔曼 诗画一致 诗画关系 

分 类 号：J205[艺术—美术] I106.2[文学—世界文学]