对“厌女”“被看”的颠覆——电影《金陵十三钗》的解构主义分析  

The Rights behind the Struggle——A deconstructive analysis of The Flowers of War

作　　者：王雅琴[1] 

机构地区：[1]安徽经济管理学院,安徽合肥230051

出　　处：《西安建筑科技大学学报（社会科学版）》2014年第1期75-80,共6页Journal of Xi'an University of Architecture & Technology(Social Science Edition)

基　　金：安徽省2012年高校省级优秀青年人才基金项目(2012SQRW254);江苏省2012年度普通高校研究生科研创新计划项目(CXLX12_0901)

摘　　要：《金陵十三钗》讲述了十三个妓女为保护一群女学生而英勇献身的故事。抛开这些感人的故事情节,人们发现影片背后隐藏了诸多的权利斗争,其中男性和女性的斗争尤为激烈。在女性主义理论视角下人们发现男性和女性处于一种"看"与"被看"的模式下,女性被男性控制和规定,而女性却处于沉默的失语中。面对父权统治的社会,男性还将女性虚构成"天使"与"厌女"的类型,一方面以此巩固自己的权利统治,另一方诱发了女性间的斗争。因此有必要来探讨用女性主义和解构主义的方法来解析这些利益之网的实质,解构"看"与"被看"的模式以及通过对女性特质深入分析来颠覆父权社会虚构出的两种女性的谎言。The Flowers of War tells a story in which thirteen prostitutes give their lives to protect a group of girl students. Behind the impressive plots, struggles for rights are concealed in the movie, especially one between men and women. In the feminist perspective, it is found that men and women are regarded as the watcher and the watched respectively, and under this circumstance, women in the charge of men have no right to utterance. In a society of patriarchal-domination, men rank women as an angel or a witch apocryphally for the purpose of strengthening the authority for themselves and fo- menting dissension among women. The paper tries to expound the essence of the structure of the right and benefit, deconstruct the mode of the watcher and the watched, and analyze the status of fe- minity to subvert the lie of two types of women fabricated by the patriarchal society.

关 键 词：金陵十三钗 男性与女性 看与被看 天使与厌女 女性主义 

分 类 号：J904[艺术—电影电视艺术]