20世纪90年代文学期刊与先锋小说的发展转型——以《收获》《花城》为例  

The 1990s Literature Periodicals and the Developments of the Pioneer Novels: A Case Study of Harvest and Flower City

作　　者：郝魁锋[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《河南大学学报（社会科学版）》2014年第2期9-15,共7页Journal of Henan University(Social Sciences）

基　　金：国家社会科学基金重大招标项目"期刊史料与20世纪中国文学史"(11&ZD110)阶段性成果;河南省社会科学基金规划项目"‘先锋小说’的转型及其与现实主义的关系"(2010BWX002)阶段性成果

摘　　要：20世纪90年代以来,随着中国社会经济体制改革的全面开展,文学体制的变革也被提上日程,文学期刊开始普遍面临挑战和危机。但随着先锋小说创作理念被普遍接受,更多的先锋小说家兴起,作为一股文学创作思潮,它的辐射力开始遍及全国,接纳它的文学期刊并没有因为文学的逐步边缘化而减少,反而开始增多。《收获》和《花城》等文学期刊对先锋小说的发表予以了大力支持,见证了先锋小说的发展转型。In the 1990s with the promoting of marketing economy comprehensively, the change is also on the agenda of literary system. Literary journals began to face challenges and crisis. But as the creation concept of pioneer novels is generally accepted, more avant garde novelists appeared. As a literary trend, it radiated throughout the country. More literary journals had begun to accept it though the literature was gradually marginalized. Especially the Harvest and Flower City provided a lot of support about pioneer novels. They witnessed the transformation of pioneer novels.

关 键 词：先锋小说 “文学场” 《收获》 《花城》 转型 

分 类 号：I206.7[文学—中国文学]