双视角视域下的东北少数民族音乐研究  

Research on double Perspective of the Northeastern Minority Music

作　　者：陈燕[1] 张译文[1] 

机构地区：[1]重庆大学艺术学院,重庆400044

出　　处：《贵州民族研究》2014年第3期106-109,共4页Guizhou Ethnic Studies

摘　　要：现代社会背景下的民族文化艺术研究整体上体现出的是建基于工业化生产方式上的标准化、系统化的意识理念,体现着一种类似哲学范式上的"人类中心主义"的文化认知模式。这种认知模式及其文化研究效应,往往引发对处于边缘地位的文化类型的认知产生一种内涵上的曲解和误读,比如对边疆少数民族文化的研究,很容易以一种先天的主流权威的文化认知框架去分析和诠释。立足于对这种强势的文化认知模式的反思和解构,而代之以一种辩证的认识方式重新开启少数民族文化研究,即用音乐人类学的双视角视域重新审视东北少数民族音乐的认知模式和研究方法。The modern society background of national culture and art reflects the overall is built the industrialized mode of production on a standardized, systematic concept based on the cognitive model; culture embodies a similar philosophy paradigm of＇ Anthropocentrism＇ This mode of cognition and cultural study effect often caused a connotation of misinterpretation and misunderstanding of the marginalized cognitive cultural types, such as the minority culture research, easy to culture cognitive frame of a congenital mainstream to analysis and interpretation. This paper is based on and deconstrnct the strong cultural cognitive model of reflection, and replaced by a dialectical understanding to reopen the minority nationality culture research, namely double musical anthropology perspective to re-examine the cognitive models and research methods of minority music in Northeast china.

关 键 词：双视角 东北 少数民族音乐 

分 类 号：J607[艺术—音乐]