两极张力间的诗性写作——论沈苇诗歌中的背反与融合  

Poetic Writing in the Tension of Two Extemes: Contrary and Mergence in Shen Wei's Poems

作　　者：叶赛[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《石河子大学学报（哲学社会科学版）》2014年第1期52-57,共6页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：国家社科基金青年项目"新疆当代双语作家群研究"(11CZW079)

摘　　要：沈苇诗歌的独特性在一定程度上产生于两极属性的背反与融合之间。就艺术风格而言,粗犷、唯我的浪漫主义风格与细腻、平实的诗风并行不悖又相互融合;就现实与"存在"的关系而论,在正面呈现被简化的、平淡的现实的同时,沈苇不断勘探着另一种"存在"的可能性,并将后者根植于现实之中而非彼岸世界;此外,就意象和情境的表现方式来看,将生与死、动与静等两极属性合于一体的认知方式,作为一种根本性的思维模式全面贯穿于沈苇的诗作中,使其作品充满了相对性的意识与变动性的思想。To some extent, the uniqueness of Shen Wei’s poem comes from the contrary and mergence of the bipolar extremes. In terms of the artistic style, features of romanticism such as wildness and egotism coexist and integrate with a subtle and down-to-earth poetic style. Judging from the relationship of reality and existence, Shen Wei explicitly describes a simplified and ordinary reality while he explores another possibility of existence, which is deeply planted in a realistic world instead of an imaginary one. In terms of the way Shen Wei creates images and mood, he combines pairs of bipolar natures such as life and death or mobility and immobility, which, as a fundamental thinking model, can be found throughout his poem and infuses relativity and instability into his works.

关 键 词：沈苇 诗歌 两极 背反 融合 

分 类 号：I207.25[文学—中国文学]