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机构地区:[1]天津科技大学艺术设计学院
出 处:《艺术与设计(理论版)》2014年第3期149-151,共3页Art and Design
基 金:教育部人文社会科学研究规划基金项目项目编号:12YJA760047;天津市哲学社会科学研究规划项目项目编号:TJZH11-003
摘 要:传统剪纸艺术是民俗文化的形象载体之一,维系着整个民间艺术基本源头的文化根基,也是现代平面设计取之不尽、用之不竭的灵感宝藏。而当代艺术设计中的体积感、空间感对立体剪纸又有着引领式的启发作用,二者相互借鉴,使剪纸艺术更加多元化。如果单纯的将民俗剪纸艺术与二维平面进行对比和研究,可以更好更有创意的弘扬传统剪纸艺术,也可以将平面设计创作的更具视觉传达性、民族性、世界性。当代的立体剪纸即传承了传统剪纸的精髓又借鉴三维设计中立体构成的各个元素和形式,开拓了剪纸艺术的新天地。The traditional paper-cut art is one of the carriers of folk custom culture, maintained the culture foundation of entire folk art basic source, and is inexhaustible modern graphic design inspiration. Contemporary art and design in the sense of volume, space sense of 3D paper-cut has leaded the enlightenment type, two from each other, so that the paper cutting art more diversified. If only the comparison and research of folk paper-cut art and two-dimensional plane, can better, more creative to carry forward the traditional paper-cut art, also can make the design more visual communication, nationality, world. The 3D paper-cut which inherits the essence of traditional paper-cut and draw lessons from each element three-dimensional composition and from three-dimensional design, open up new horizons of paper-cut art.
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