非物质文化遗产川剧传承人创新探究  

Research on the Inheritor and Passer of the Immaterial Heritage Sichuan Opera

作　　者：秦勤[1] 

机构地区：[1]重庆大学艺术学院,重庆401331

出　　处：《重庆大学学报（社会科学版）》2014年第2期165-170,共6页Journal of Chongqing University(Social Science Edition)

基　　金：中央高校基本科研业务费资助项目(CDJSK100178)

摘　　要：川剧是巴渝地区移民文化激烈碰撞后形成的文化瑰宝,分为昆曲、高腔、胡琴、弹戏、灯戏等几个类型,川剧作为非物质文化遗产,其传承人以超人的才智承载着川剧技艺。改革开放30年来,中国文化生态迅速变迁,川剧要生存、发展必须创新。文章从重庆川剧编剧、音乐、演员、导演的改变,探究川剧传承人的创新。川剧编剧隆学义、魏明伦、罗怀臻等着力于开创新的主题、新的表现手法以适应现代背景下观众不断变化的审美诉求,演员沈铁梅、孙勇波、黄荣华、谭继琼等则大胆运用多种表现手法,与西洋音乐激烈碰撞,产生了新的声腔及音乐形式,在川剧濒危时刻重燃了生命之光。Sichuan Opera is one of the cultural treasures of the Chinese nation resulting from the chock, combination and integration of the migration cultures of the Bas and the Shus. As a form of immaterial cultural heritage, the actors and actresses play an important role in passing down this form of art by their talented interpretation and creation. Since the reform and opening, the Chinese cultural environment has evolved with chances and challenges. Survival and innovation are the key to this form of art. This thesis is intended to tackle this problem by an exemplary research of the personnel of the Sichuan Opera in Chongqing and their interpretation and innovation.

关 键 词：川剧 传承人 创新 

分 类 号：J825[艺术—戏剧戏曲]