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作 者:谢伯阳[1]
出 处:《东南大学学报(哲学社会科学版)》2013年第6期96-99,136,共4页Journal of Southeast University(Philosophy and Social Science)
摘 要:《全明散曲》初版面世,已近二十春秋。明代重要散曲家康海于嘉靖三年(1524)以后至他辞世(1540)的十六年间的散曲创作一直是个空白。虽从《对山集》中得知,康海还有《沜东乐府后录》二卷,但始终未见其踪影。2005年南京传出《沜东乐府后录》二卷在台湾"国家图书馆"被发现的讯息,经考查发现,《后录》二卷藏匿于人们视线之外的重要原因就是编者误将其混搭于王九思作品之中,以及一段错误的"书目叙录"。《全明散曲》增订本对新增曲作的校勘辑录标准仍沿用《全明散曲》初版体例,共收曲家461家,小令12115首,套数2194篇。The first edition of A Comprehensive Collection of Sanqu Songs in the Ming Dynasty was published two decades ago.Kanghai was an important Sanqu writer in the Ming Dynasty,but little was known about his works written from 1524 to 1540.Although we learned from his Dui Shan Ji that he produced a collection of Sanqu songs during this period,the collection had never been discovered until in 2005it was found to have been collected in the Taiwan Library.Later the investigation revealed that the collection was mistaken for a work of Wang Jiusi by the editor who therefore wrote a misleading description of it.The revised edition followed the style of the first edition and collected 12,115 short lyric poems and 2,194 cycles of songs written by 461 Sanqu writers.
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