谢林的艺术特征论  

On Schelling's Theory of Artistic Features

作　　者：陈海燕[1] 

机构地区：[1]合肥师范学院文学院,安徽合肥230601

出　　处：《井冈山大学学报（社会科学版）》2014年第2期100-106,共7页Journal of Jinggangshan University(Social Sciences)

基　　金：国家社会科学基金项目"谢林艺术哲学研究"(项目编号:12CZW011)

摘　　要：艺术理论在谢林整个思想体系中占有很重要的地位。谢林不仅对艺术的本质作形而上的探讨,还多角度地分析了艺术的特征。从艺术与自然的关系角度看,艺术超越自然;从艺术与科学的关系上来看,艺术是科学的基础;和手工艺品相比较,艺术又明显体现出纯粹性和超功利性。谢林的艺术论,不仅对西方现代美学产生了一定的影响,而且吸引人们不断地做出努力,搞清楚艺术存在的理由和巨大魅力。The artistic theory is a key part in Schelling＇s theoretic system. It contains Schelling＇s metaphysical exploration of the essence of art as well as his multi-perspective analysis of artistic features. In his view, art goes beyond nature and lays foundation for science, and is characterized in purity and non- utility when compared with handicrafts. Schelling＇s art theory exerts certain influences on modern Western philosophical aesthetics, and invites people＇s unceasing interests and efforts to find why arts exist and show huge charms.

关 键 词：谢林 艺术 自然 科学 手工艺品 

分 类 号：I3[文学—其他各国文学] I7