屈原《九歌》悲剧意象论  

Quyuan's Theory of Tragic Images in The Nine Songs

作　　者：林训涛[1] 

机构地区：[1]中山大学中文系,广东广州510275

出　　处：《深圳大学学报（人文社会科学版）》2014年第1期137-141,共5页Journal of Shenzhen University：Humanities & Social Sciences

摘　　要：屈原《九歌》源于神巫文化蕴含丰富的原始祭歌,是对上古神巫歌诗的发展,其不仅体现了屈原本身的悲剧性文化心理,同时也是上古悲剧性文化心理的反映。《九歌》的悲剧性文化心理是中国上古文化的主要特征之一。屈原《九歌》的魅力正在于它深层次的悲剧意蕴,而这种意蕴呼应了中国上古时代的悲剧性文化心理,并通过作品中的原型意象释放出来。Quyuan＇s The Nine Songs derives from primitive sacrificial songs which are deeply rooted in the ancient shamanist culture. Growing out of the poetic songs of the ancient religion and shamanism, The Nine Songs reflects tragic cultural psychology that Quyuan himself embodied. The tragic cultural psychology is one of the main characteristics of the ancient Chinese culture. The charm of Quyuan＇s The Nine Songs rests on its profound tragic implications, which correspond to the tragic cultural psychology of the ancient Chinese, and which are manifested in archetypal images of the work.

关 键 词：九歌 文化 意象 悲剧心理 情感体验 

分 类 号：I206[文学—中国文学]