传媒时代下张大千题材影视剧的改编——从媒介的制约说起  

The adaptation of Zhang Daqian film and television drama in media age: beginning with the constraint of media

作　　者：韩晓婷[1] 

机构地区：[1]内江师范学院,四川内江641112

出　　处：《宜宾学院学报》2014年第3期100-103,共4页Journal of Yibin University

基　　金：四川省教育厅人文社会科学重点研究基地"四川张大千研究中心"(ZDQ2011-19)

摘　　要：张大千题材影视剧由于受跨媒介改编以及媒介环境的影响,在文字符号的线性原则转变为视觉媒介的非线性原则以及媒介生态环境失衡方面均不同程度受到制约与削弱。将民族文化优秀的人文资源恰当地转化为与传媒时代相对接的艺术形式,需要从真实性、艺术性以及编导与观众(包括传主亲属)之间的"信任契约"方面进行定位,以延伸视觉媒介塑造张大千形象的内涵意义。Due to the influence of cross media adaptation and imbalances of the media environment, films and TV dra- mas about Zhang Daqian are restricted and weakened in the process of being adapted from letter symbols guided by lin- ear principle into visual media guided by nonlinear principle. To change the excellent cultural and humanistic re- sources into the art forms connected with the era of media, it is necassary to find the balance between reality and art and establish a ＂trust contract＂ between the director and the audience （ including their relatives） to extend the conno- tation of Zhang Daqian＇ s image as delivered by visual media.

关 键 词：张大千 媒介 影视戏剧 制约 对策 

分 类 号：J90[艺术—电影电视艺术] I207.352[文学—中国文学]