论新加坡传承、发展戏曲的经验  

The Experiences of the Inheritance and Development of Traditional Opera in Singapore

作　　者：朱恒夫[1,2,3,4] 

机构地区：[1]上海师范大学 [2]中国戏曲学会 [3]中国傩戏学会 [4]上海戏曲学会

出　　处：《文化遗产》2014年第2期68-74,157-158,共7页Cultural Heritage

基　　金：教育部哲学社会科学重大攻关项目《中华戏剧通史》(项目编号:JSZ1105);国家哲学社会科学基金艺术学项目(项目编号:12BB016)的阶段性成果之一

摘　　要：在中国之外,能将戏曲的传承提到国家文化发展战略层面上的国家只有新加坡,由于政府的领导得力、规划正确,新加坡的戏曲已经呈现出生机勃勃的景象。它的传承经验为:采用华族之外的民族故事和发生在本土的故事为题材来编创剧目,培养各族青少年戏曲表演人才与忠实观众,在戏曲中使用英语和华语,努力使戏曲本土化;由民间和政府共同办戏曲,使经费有了保障,并让民间增强了传承戏曲的责任心;与戏曲的源发国中国保持密切的关系,以不断提高艺术水平;积极地参与国际戏剧节,紧跟世界戏剧潮流。It can be said that besides China,Singapore is the only country that treats traditional opera inheritance as a national cultural development strategy. Because of the government' s effective leadership and proper planning,traditional opera has shown a vibrant scene in Singapore. Its experience can be summarized as follows: First,make the traditional opera localization. Using non- Chinese stories and local stories,both in English and Chinese in theplays,it improves the youth' s interest to be actors and audiences. Second,the cooperation between government and civil groups is the guarantee of funds. Third,keep close with China,the traditional opera' s birthplace,in order to improve the artistic level continuously. Finally,take an active part in international drama festivals and keep the pace with trend.

关 键 词：新加坡 戏曲 传承 发展 经验 

分 类 号：I207.3[文学—中国文学]