论萨都剌诗歌中“雁情”的文化意蕴  

On the Cultural Connotation of Wild Goose Emotion in Sa-Dula's Poetry

作　　者：王海香[1] 温斌[1] 

机构地区：[1]包头师范学院文学院,内蒙古包头014030

出　　处：《阴山学刊》2014年第2期54-57,共4页Yinshan Academic Journal

基　　金：国家社科基金项目"古代北方草原文学美学价值探究"(12XZW016)阶段性成果

摘　　要：元代回族诗人萨都剌生活在民族文化融合最为活跃热烈的时期,深受汉文化的濡染熏陶,其诗作中体现了汉文化和游牧文化融合共生的突出倾向,在元代文坛上,独具魅力。作为杰出的少数民族诗人,他的诗中多次出现雁这种意象,将雁作为一种较特殊的审美对象进行吟咏,体现出丰富的文化意蕴。As a Hui poet in Yuan Dynasty, Sa - Dula lives in the most active warm period of national cultural fusion. Due to the deep influence and edification of Han culture, his poems embody the prominent tendency of fusion symbiosis of Han culture and the nomadic culture, which leading to a unique charm in the literary circle in Yuan Dynasty. As an outstanding poet of minority nationality, the wild goose image appears many times in his poems. By intoning the wild goose as a special aesthetic obiect, the rich cultural connotation is reflected.

关 键 词：萨都剌 雁意象 成因 文化意蕴 

分 类 号：I207.41[文学—中国文学]