岭南建筑学派的整体观与整体设计方法初探  

Exploration of Architectural Holistic View and Integral Design Methods of Lingnan Architectural School

作　　者：杜宏武[1] 王国光[1] 

机构地区：[1]华南理工大学建筑学院亚热带建筑科学国家重点实验室

出　　处：《南方建筑》2014年第1期94-98,共5页South Architecture

基　　金：国家自然科学基金面上项目"紧凑型住区休憩空间价值的量化研究--基于珠三角住区规划控制与设计视角";项目编号:51378209;国家自然科学基金面上项目"岭南建筑学派现实主义设计理论及其发展研究";项目编号:51378212;广州市哲学社会科学规划课题"广州保障性住区居民文娱休憩活动现状及发展机制研究";项目编号:13G40

摘　　要：整体思维是当代建筑学发展的指导思想,现代设计方法在近几十年的发展中,从线性设计走向整体设计。岭南建筑学派较早发展和完善了自己的整体观和整体设计方法,当代岭南建筑学派的创作方法以"两观三性"为认识论基础,形成了一整套成熟高效的整体设计方法,为岭南建筑学派实践和谐与创新这两大核心价值观提供了方法论的支撑。Holistic thinking is the main guiding thought to contemporary development of architecture. In the last several decades, the traditional linear design methods had gradually turned into integral design methods because of the improvement of modern design methods. Lingnan Architectural School had earlier improved its own architectural holistic view and integral design methods comparatively. The integral design methods of contemporary Lingnan Architectural School, based on ＂Two Views and Three Features＂ theory by He Jingtang, had formed an overall system of mature and highly efficient integral design methods which had ensured Powerfully the realization of the key values of harmony and innovation of Lingnan architectural design.

关 键 词：岭南建筑学派 整体观 整体设计 设计方法 两观三性 

分 类 号：TU-092[建筑科学—建筑理论]