“嵞山体”与“少陵体”、“长庆体”——桐城派先驱方文诗歌论  

The Relationship between Tushan Style,Shaoling Style and Changqing Style ——On the Poetry of Fang Wen as a Forerunner of the Tongcheng School

作　　者：朱丽霞[1] 

机构地区：[1]上海交通大学文学院

出　　处：《安徽大学学报（哲学社会科学版）》2014年第1期67-73,共7页Journal of Anhui University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金项目(09BZW044)

摘　　要：在清初尊杜黜白的诗学思潮中,桐城遗民方文的诗不仅受到少陵体的影响,也在极大程度上接续了长庆体的特色,从而形成与梅村体、虞山体同辉于清初诗坛的嵞山体。嵞山体在三个方面受到少陵体、长庆体的影响:一、继承少陵体、长庆体关注民生、为民歌哭的诗思。二、继承少陵体、长庆体的叙事传统,以史笔诗语记录一段动荡而真实的历史。三、追求质朴、平实的语言风格。嵞山体不但在清初诗坛独具一格,而且直接影响了此后的清代诗坛,成为桐城派的先驱。In the early Qing Dynasty, Du Fu was followed while Li Bai was rejected. The poetry of Fang Wen, a survivor of the Tongcheng School, was not only influenced by Shaoling style but also inherited the features of Changqing style to a great extent. Fang Wen＇s style of writing was called Tushan style, in competition with Meicun style and Yushan style. This paper argues that Tushan style was influenced by Shaoling style and Changqing style in three aspects. First, it inherited the poetic idea of Shaoling and Changqing styles to care about the life of the people and to lament for them. Second, it inherited the narrative tradition .of Shaoling and Changqing styles, recording a turbulent but real history with a poetic style. Third, it pursues a simple and plain linguistic style. Tushan style possessed unique poetic features in the early Qing Dynasty, directly influenced later poetic development and became the forerunner of the Tongcheng School.

关 键 词：方文 金山体 少陵体 长庆体 桐城派 

分 类 号：I206.2[文学—中国文学]