清代两种月令承应戏考论  

Study on Two kinds Drama in Lunar Times during Qing Dynasty

作　　者：何光涛[1] 

机构地区：[1]宜宾学院文学与新闻传媒学院

出　　处：《中华文化论坛》2014年第4期44-50,191-192,共7页Journal of Chinese Culture

基　　金：2013年度教育部人文社会科学研究青年基金项目"中国古代屈原戏研究"(13YJC751014)阶段性成果

摘　　要：《正则成仙》和《渔家言乐》是清代两种月令承应戏,以屈原为题材,共同叙写一个屈原升仙之后又返回人间的故事。众多文献将它们视为两剧,其实它们是一个剧情前后连贯的两折杂剧。关于它们的作者,各种文献皆署为无名氏。笔者经过考证发现作者是康、雍、乾时期的张照。它们自乾隆初年创作完成之后,又被改编过。它们通常在端午节和朔望之时用于"开场"、"团场"演出,有一套严格的仪程。Zhengzeyuxian and Yujiayanle are two kinds drama of lunar times during Qing dynasty, both of the two pieces are made Quyuan as theme, narrates Quyuan rise jointly returned to earth after fairy story. Many documents to them as the two plays, twenty percent of them is actually a coherent plot. About their authors, all kinds of literature department for anonymous. The author found that the writer is Zhangzhao in a health, harmony, in dry period of the picture. They since the early years of the Qianlong creation is completed, and has been adapted. They are usually at the time of the Dragon Boat Festival and spring, and be used in the 'opening', 'herd'performance, a set of strict routine.

关 键 词：月令承应戏 《正则成仙》 《渔家言乐》 考论 

分 类 号：J809.2[艺术—戏剧戏曲]