20世纪上半叶中国美术史学思想文化背景探析  

Ideological and Cultural Background Analysis of Modern Chinese Art History in the First Half of the 20th Century

作　　者：曹贵[1] 

机构地区：[1]武汉理工大学,武汉430070

出　　处：《设计艺术研究》2014年第2期102-109,共8页Design Research

摘　　要：20世纪上半叶,是中国社会向现代化转型的关键时期。在风起云涌的变革大潮中,中国的哲学、历史、文学等都步入了现代化的征程。与此相伴,中国的美术史学研究也在此种背景下实现了由传统形态向现代形态的转型。探讨20世纪上半叶中国现代美术史学产生和发展的思想文化背景,主要包括三个方面的内容:一是西学东渐与中国近代史学的牵引,二是新式美术教育与出版机构的推进,三是近代美术考古学的促进。The first half of the twentieth century is the critical period of China＇s social modernization. During the surging tide of change, Chinese philosophy, history, literature, etc. are embarked on a journey of modernization. Meanwhile, art history studies in China have also achieved the transition from traditional forms to modem forms in this context. Analysis of the generation and development of Chinese modem art history＇s ideological and cultural background in the first half of the twentieth century mainly consists of three parts： driven by eastward spread of western culture and the modem history of China; advanced by new art education and publishing company; promoted by recent art archaeology.

关 键 词：中国近代美术史学 新式美术教育 近代美术考古学 

分 类 号：J209[艺术—美术]