《丰乳肥臀》与《苦菜花》的互文性解读  

The Intertextuality between Plump Fengru Breasts and Bitter Cauliflower

作　　者：阎浩岗[1] 李秋香[1] 

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2014年第2期9-15,共7页Journal of Hebei University(Philosophy and Social Science)

基　　金：河北省社科基金项目<农民书写与价值观念--20世纪农民题材小说的价值观研究>(HB11WX019)

摘　　要：《丰乳肥臀》与《苦菜花》有明显而直接的互文关系。虽然两部作品中母亲形象和母爱主题都很突出,但其所赞颂母爱的内涵和表现有异。冯大娘是典型的贤妻良母,体现了诸种传统美德,她对封建伦理中男女不平等及非人道成分,又有出于本能的反抗。她拥护革命和革命战争不是为了观念,而是本着个人良心和正义感。她对革命战士的疼爱是"推己及人"的结果。上官鲁氏则彻底反叛传统的和革命的伦理道德。对她来说,自己和自己子女的生存与繁育高于一切。这可看作莫言对冯德英革命历史叙事及其伦理观念在继承借鉴基础上的重写或颠覆。《丰乳肥臀》将《苦菜花》不回避性爱和暴力描写的特征发扬光大并推向极致,而剔除了后者的政治与理性内涵,只凸显其悲剧美、病态美和野性美。冯德英和莫言均重视作家创作态度的真诚和艺术描写的真实,但他们作品中的"真实"属于不同类型的"真实"。它们各有其价值和局限,我们不宜简单地厚此薄彼,或厚彼薄此。There are obvious and direct the intertextual relationship between “Plump Breast and Fat But-tocks”and“Bitter Cauliflower” .Although the image of mother and maternal love in the two works are very prominent ,the connotation and manifestation of the maternal love that they sing the praises is dif-ferent .Aunt Feng was typical as an understanding wife and loving mother ,which reflected the tradi-tional virtues ,but she revolted instinctively to the feudal ethics of gender inequality and inhumane com-ponent .That she supported the revolution and the revolutionary war was not for the idea ,but the spirit of individual conscience and sense of justice .Her love for the revolutionary soldier was the results of“considering others in one＆#39;s own place” ,while Shangguan Lu rebeled against tradition and revolutionary ethics thoroughly .The survival and reproduction of themselves and their children were the most impor-tant thing for her .This can be considered as the rewriting or subversion of Mo Yan to Feng Deying＆#39;s revolution historical narrative and ethics based on inheritance .The reality in the works of Feng Deying and Mo Yan is different types .Each of them has its value and limitation ,so we should not show favour towards one but hold prejudice against the other .

关 键 词：《苦菜花》 《丰乳肥臀》 互文性 

分 类 号：I206.7[文学—中国文学]