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作 者:郑丽[1]
机构地区:[1]北京航空航天大学外国语学院
出 处:《外国文学研究》2014年第2期1-6,共6页Foreign Literature Studies
基 金:郑丽主持的教育部人文社会科学研究青年基金项目"犹太女性文化身份的自我书写与重构:美国犹太女作家研究"【项目批号:13YJC752044】;北京市哲学社会科学青年规划项目"多元文化语境下的当代美国犹太女作家研究"【项目批号:13WYC040】的阶段性成果
摘 要:乔纳森·卡勒博士是康奈尔大学文学教授,先后荣任美国比较文学学会会长(1999-2001)、美国符号学会会长(1987-1988)等学术要职,并担任《新文学史》、《今日诗学》、《美国符号学学报》等学术期刊编委。卡勒教授在符号学、结构主义、解构主义、文化研究和比较文学等诸多研究领域均取得了突出成就,著有《文学理论入门》(1997)、《结构主义诗学》(1975)、《论解构》(1982)等。他从语言学视角出发,借助语言学研究的方法和范式,探索文学研究的模式与方法,从而有力地推动了文学研究的发展。笔者在2011—2012年赴康奈尔大学访学期间,受《外国文学研究》委托,对卡勒教授进行了专访。卡勒就当前国内外学术界的热点问题(如结构主义和解构主义的关系、文化研究与文学研究的对立与调整、经典文化与通俗文化、经典的重新定义等)发表了自己的观点。卡勒认为,结构主义和解构主义之间并无根本对立,文学研究和文化研究并非势不两立,而是可以和谐共存;流行并不等同于经典,所谓的经典应经得其时间的考验。他还对中国学者的学术发展提出了自己中肯的建议,认为中国学者应植根于自己的本土文化,在中西方对话中做出自己独特的贡献。Professor Jonathan Culler is one of the leading literary critics in the world who made great achievements in the fields of Semiotics, Stmcturalism and Deconstruction, Cultural Study and Comparative Literature. He has worked at Cornell University since 1977, and served as President of American Comparative Literature Association 0999-2001) and Semiotic Society of America (1987-88) as well as other academic societies, as well as editor of some important academic journals such as New Literary History, Poetics Today, and The American Journal of Semiotics. Culler is famous for his critical works such as Literary Theory: A Very Short Introduction (1997), Structuralist Poetics (1975), and On Deconstruction 0982). On behalf of Foreign Literature Studies, Dr. Zheng Li conducted an interview with Professor Culler when doing research at Cornell University as a visiting scholar during 2011-2012. Prof Culler shares his enlightening views of some hot issues both at home and abroad, such as the relations between Structuralism and Deconstruction, Classic Culture and Pop Culture, the rivalry and adjustment of Cultural Study and Literary Study, as well as the redefinition of Canon. For Culler, there is no fundamental division between Structuralism and Deconstruction. Cultural study and literary study could live relatively peacefully nowadays, despite their inescapable competition in certain fields. Pop culture isn't equal to classic culture. The criteria of Canon haven't changed much in that it must stand the test of the time. Finally, he gives sound advice to Chinese scholars as regards their academic pursuit. He insists that Chinese scholars should stick to their own heritage and make their unique contribution to Western conversation.
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