因难出奇:“陌生化”与“白战体”——兼论宋诗创作中的体用关系  

Difficulty to Surprise:"Defamiliarization" and "Baizhan Style"

作　　者：崔现芳[1] 

机构地区：[1]河北师范大学文学院,河北石家庄050024

出　　处：《河北工业大学学报（社会科学版）》2014年第1期59-65,共7页Journal of Hebei University of Technology：Social Sciences Edition

摘　　要："白战体"有意识地使诗歌摆脱传统的因袭,主动地放弃惯用的语词和事典,通过言用不言体等方法"使熟者生,使文者野",与审美主体拉开一定的距离,给人新奇、惊异之感,与"陌生化"的命意具有精神上的一致性。这就使我们有可能借助于俄国形式主义陌生化话语,对白战体及其创作方法做一番梳理,从而对其获得新的认识。并对白战体出现的原因,试图从新变代雄、绕路说禅、文人雅集等方面给出合情入理的解释。＂Baizhan style＂ consciously get rid of the conventionality of traditional poetry, initiative to give up idio- matic words and encyclopedia, through methods to make the familiar stranger, make elegant simplicity, and inten- tionally keep distance with readers, to give people the feeling of novelty, amazing, corresponds with the meaning of＂defamiliarization＂ spiritual consistency. It makes us possible with the aid of Russian formalism defamiliarization words to do a reserch on Baizhan style and its creation method, to obtain new knowledge on it. And I will try to give reasonable explanations for why Baizhan style appeared at that context from three perspectives.

关 键 词：白战体 陌生化 言用不言体 

分 类 号：I206.2[文学—中国文学]