俄罗斯文学“莫斯科文本”与“彼得堡文本”初探  

A Study on the “Moscow Text” and the “Petersburg Text” of Russian Literature

作　　者：傅星寰[1] 

机构地区：[1]辽宁师范大学文学院

出　　处：《俄罗斯文艺》2014年第2期4-10,共7页Russian Literature & Arts

基　　金：教育部人文社科一般项目"作为完整的艺术系统的-俄罗斯文学‘莫斯科-彼得堡’题材研究"(项目号:12YJA752007);辽宁省社科规划基金项目(项目号:L11DWW008)的阶段性研究成果

摘　　要：俄罗斯文学"莫斯科文本"与"彼得堡文本"是俄罗斯文化中"莫斯科与彼得堡"问题的艺术载体,是俄罗斯文学重要的组成部分。本人认为,俄罗斯文学"莫斯科文本"与"彼得堡文本"自诞生之日起,对话与互文关系就已确立。城市文本借城市神话来叙说,而城市神话又是城市本质的形而上学。作为完整的艺术系统,"莫斯科文本"与"彼得堡文本"内在地生成二元对立、相融共生的动态平衡机制。随着两座城市的历史变迁,俄罗斯文学中的"莫斯科神话"与"彼得堡神话"的象征意蕴在各自所属的城市文本中发生着"位移"和"变更",它们内在地表现出"现代性"对于俄罗斯民族意识和传统的冲击和颠覆。The ＂Moscow text＂ and the ＂Petersburg text＂ of Russian literature are the art carriers of the Moscow ＆ St. Petersburg issue in Russian culture, and are an important component of Russian literature. This paper holds the view that the dialogic or intertextual relationship has been established ever since the birth of the ＂Moscow text＂ and the ＂Petersburg text＂. The urban text is narrated in virtue of the urban myth, and the urban myth is the metaphysics of the urban nature. As a complete art system, the ＂Moscow text＂ and the ＂Petersburg text＂ have inherently come into a dynamic balancing mechanism of dualistic integration and symbiosis. With the historical changes of the two cities, the symbolic implications of the ＂Moscow myth＂ and the ＂Petersburg myth＂ in Russian literature have been changing in their respective city texts ; they inherently reveal the impact of ＂modernity＂ on and its subversion of the Russian national consciousness and traditions.

关 键 词：俄罗斯文学 “莫斯科文本” “彼得堡文本” 诗学 现代性 

分 类 号：I512.06[文学—其他各国文学]