包银制向戏份制转变的原因及其意义  

On the Causes and the Significance of the Payment Change

作　　者：王省民[1] 

机构地区：[1]东华理工大学江西戏剧资源研究中心副教授

出　　处：《戏剧（中央戏剧学院学报）》2014年第2期97-106,共10页Drama:The Journal of the Central Academy of Drama

基　　金：教育部人文社科规划项目“现代传媒视野下的戏曲传播与产业化研究”的阶段性成果,项目批准号:10YJA760055

摘　　要：同光时期,戏份制代替包银制,这是京剧史上具有标志性意义的事件,它从物质利益上调动了京剧伶人的积极性,使商品经济的原则在京剧领域中得到渗透,从而带来了京剧表演艺术的繁荣,促进了京剧戏班的历史变革。随着戏份制的推行,优秀伶人的收入大大地增加了,伶人在经济上获得了独立,经济地位的提高必然带来社会地位的提高。In Tongguang period of Qing Dynasty, the payment to Beijing Opera performers was changed from being paid monthly by troupe owners to daily by stage managers. This landmark financial change, mobilized the initiative of the Beijing Opera performers in Beijing, also helped the reform of troupe system and brought about the prosperity of opera performing. Actually, paid by stage managers, the performers were rewarded more as well as enjoyed more opportunities for performing in different troupes. Of course, this is significant for improving the social status of the performers at that time.

关 键 词：包银制 戏份制 京剧演出 

分 类 号：J821[艺术—戏剧戏曲]