论奥哈拉早期诗歌中的超现实主义诗学  

Poetics of Surrealism:Early Poems of Frank O'Hara

作　　者：汪小玲[1] 

机构地区：[1]上海外国语大学

出　　处：《当代外国文学》2014年第2期14-22,共9页Contemporary Foreign Literature

基　　金：教育部新世纪优秀人才支持计划项目(NCET-10-0585);教育部人文社科研究项目(11YJA752006)"奥哈拉城市诗学与后现代纽约文化研究"成果之一

摘　　要：美国"纽约派"代表作家弗兰克·奥哈拉的早期诗歌呈现出浓郁的超现实主义色彩。他运用超现实主义的写作技法,打破了那个时代旧有诗歌传统的羁绊,使诗歌创作饱含张力与创造力,对革新美国文坛做出了贡献。本文旨在深入探讨奥哈拉早期诗歌中的自动写作、以梦写实和集体游戏三大超现实主义艺术手法,揭示其中的艺术特征和诗学价值。The early poems of Frank O＇Hara, a representative writer of the New York School of American poetry, show a dense surrealistic color. Utilizing the poetics of surrealism, he broke the fetters of poetic conventions of his own age and contributed a great deal to reforming American poetic circles of the time. This essay aims to discuss the artistic features and poetic values of his early poetry by probing three strategies of surrealism in his early poems： automatic writing, illusionary realism and collective recreation.

关 键 词：奥哈拉 超现实主义 自动写作 以梦写实 集体游戏 

分 类 号：I712.072[文学—其他各国文学]