当代批评文集《新审美主义》评述  

A Review of The New Aestheticism

作　　者：马涛[1,2] 

机构地区：[1]南京大学外国语学院 [2]天津外国语大学英语学院

出　　处：《当代外国文学》2014年第2期170-173,共4页Contemporary Foreign Literature

摘　　要：约翰·若津和西蒙·马尔帕斯编辑的论文集《新审美主义》一改以往理论界对于法国学者论述趋之若鹜的倾向,传承了德国古典美学和现代美学的一些重要观念,特别是阿多诺的美学思想,传达了"后理论"时代的审美反思和人文关怀的理论动向。"新审美主义"的"新"在于用辩证理性观在恢复传统美学的审美自主性和当代反审美主义的激进立场之间寻找新的平衡点,从文学经典和大众文化研究中找到审美批评的共通之路。The 2003 book The New Aestheticism, .a critical anthology edited by John Joughin and Simon Malpas, theorizes a new wave of aesthetic and humanist concerns in the post-Theory era. The collected writings turn away from popular French theorists to revive aestheticism, inheriting key concepts from classical German aesthetics and modern aesthetics, especially those propounded by Theodore Adorno. The advoeators of ＂new aestheticism＂ argue that criticism should, with dialectical reason, strike a new balance between aesthetic autonomy of traditional aesthetics and radicalism of contemporary anti- aestheticism. The anthology establishes shared concerns of aesthetic criticism in the study of both literary canon and popular culture.

关 键 词：新审美主义 德国古典美学 辩证理性观 

分 类 号：I109.5[文学—世界文学]