从漫游者到媒介漫游者——城市的观看之道  

FROM WANDERER TO MEDIA VIEWER: WAYS OF SIGHTSEEING IN CITY

作　　者：严亚[1,2] 董小玉[1] 谢峰[2] 

机构地区：[1]西南大学新闻传媒学院 [2]重庆第二师范学院文学与传媒系

出　　处：《城市规划》2014年第4期79-84,共6页City Planning Review

基　　金：2012年重庆市社会科学规划一般项目"视觉重庆与重庆城市品牌研究"(批准号:2012YBYS106)阶段性成果

摘　　要：城市观看将城市景观作为"他者"来构建城与人的主体—位置关系。这种关系蕴涵权力的眼光,并接橥出新观看方式的本质——快速的视觉空间占有行为和重构现代生活的态度。进入媒介社会,漫游者对城市景观的在场欲望投向了新媒介技术所建构的媒介空间,他们演变为寄生于观看技术的媒介漫游者。"技术性观视"彻底颠覆了人们固有的视觉经验乃至城市认知方式。当代漫游者的城市观看首先体现为速度化的看之方式,并由此隐射出生活化的城市认知方式。The cityscape is seen as the ＂otherness＂ to build the subjectivity-position relationship between city and its viewers.In this relationship,there are the vision of the power and the essence of new ways of seeing-rapid visual space occupation behavior and the new attitude of reconstructed modern life.In the media community,wanderer＇s desires to cityscape turn towards the mediaspace constructed by new media technology,as a result,they become media viewer subjected to watching technology.＂Technical view＂ completely changes people＇s visual experience and city cognitive style.The ways of seeing for modern viewer reflect high-speed paradigm,which in turn displays the city cognitive style of common life.

关 键 词：媒介漫游者 视觉范式 城市景观 主体性 速度 影像媒介 城市观看 

分 类 号：TU984.1[建筑科学—城市规划与设计]