情歌主角的颠覆:想象与时间视野中的《阿尔弗瑞德·普鲁弗洛克的情歌》  

Imagination and Time: A Phenomenological Interpretation of The Love Song of J. Alfred Prufrock

作　　者：郑凤云[1] 

机构地区：[1]云南师范大学外国语学院,云南昆明650500

出　　处：《学术探索》2014年第6期152-156,共5页Academic Exploration

基　　金：云南省哲学社会科学学科建设项目(XKJS201321)

摘　　要：本文从想象与时间的关联视角对T.S.艾略特的《阿尔弗瑞德·普鲁弗洛克的情歌》进行了细读,这样的细读表征了诗歌中词、句、段之间的内在关联以及它们在诗歌整体中是如何生成、运作的。这一解读注重的是哲学和诗歌之间的对话。通过对普鲁弗洛克的意识的疏解,我们试图凸显从英雄到反英雄的转变是如何发生的。《阿尔弗瑞德·普鲁弗洛克的情歌》是对传统情歌主角的颠覆,揭示出在没有"英雄"的人生舞台上,人人都是过客,在时间消逝中的想像中体验虚无中的循环。The paper gives a close reading of the relevance of time and imagination in T.S. Eliot＇s The Love Song of J. Alfred Prufrock. It reveals the inner relevance among the words, sentences and paragraphs and their generation and operation in the whole poem, and attaches importance to the dialogue between philosophy and poetry. Through the interpretation of the conscious- ness of Prufrock, the paper tries to disclose the change from a ＂hero＂ to an ＂antihero＂. Thus,The Love Song of J. Alfred Pru- frock is a subversion of the traditional love poems and reveals that there is no any ＂hero＂ on the life - stage, everyone is a passer - by who experiences the everlasting recycle of nothingness in imagination and in time.

关 键 词：想象 时间 主角 反英雄 《阿尔弗瑞德·普鲁弗洛克的情歌》 

分 类 号：I106.2[文学—世界文学]