“眺望原乡”解读——以《又见棕榈,又见棕榈》与《边界望乡》为例  

To Unscramble the Meaning of “Overlook the Homeland” in To See the Palm Again and “Look the Mainland from the Border”

作　　者：帅震[1] 

机构地区：[1]山东财经大学文学与新闻传播学院,山东济南250014

出　　处：《集美大学学报（哲学社会科学版）》2014年第2期1-5,23,共6页Journal of Jimei University：Philosophy and Social Sciences

基　　金：教育部人文社会科学研究青年项目(09YJC751053)

摘　　要：於梨华的小说《又见棕榈,又见棕榈》与洛夫的诗歌《边界望乡》中均出现了"眺望原乡"这一经典场景,其中的主人公站在可以远眺大陆原乡却无法跨越的临界点上,时序错置和空间位移是其无法绕开的心灵症结,于是产生了强烈的悖谬感和孤绝感。这种由于历史归属感的缺失而生发的原乡感受自身具备了高度的精神张力,并构成了当代台湾文学中一种特有的沉重话语。The classical scene of ＂overlooking the homeland＂ appears in Yu Lihua＇s novel To See the Palm Again and Luofu＇s poem ＂Look the Mainland from the Border＂. The protagonists stand in the tipping point of overlooking the homeland but cannot go across, at which anachronism and displacement constitute the soul crux of them that cannot be avoided, and then occur the feelings of absurdity and isolation. This kind of experience caused by the loss of the sense of historical belonging forms a highly spiritual tension and a heavy discourse in modern Taiwan literature.

关 键 词：原乡 於梨华 洛夫 《又见棕榈 又见棕榈》 《边界望乡》 

分 类 号：I206.7[文学—中国文学]