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作 者:王海燕[1]
出 处:《安庆师范学院学报(社会科学版)》2014年第2期1-6,共6页Journal of Anqing Teachers College(Social Science Edition)
基 金:国家社会科学基金项目"新时期小说史论"(10BZW089);安徽省哲学社科规划项目"对立与和谐:新时期30年小说的发展论阐释"(AHSKF07-08D110)
摘 要:重读刘震云20世纪80-90年代的小说,我们可发现其"喜剧面孔"之特征:《新闻》中有"谐词隐言","官场"系列"于嬉笑诙谐之处包含绝大文章";《温故一九四二》是历史叙事呈现悲剧的史实,喜剧的史鉴,正剧的史胆。这种"喜剧面孔"的真谛在于他写小说是"以悲剧情绪透入人生,以幽默情绪超脱人生",这也是刘震云的"黄金的幽默"。Rereading LIU Zhen-yun' s novellas composed between the 1989s and the 1990s, such as News, Officialdom Series and Back to 1942, enables us to spot his comedian side:News featuring the humorous and enigmatic language; officialdom series characterized by a playful writing way; Back to 1942 marked by historical narration in which he reveals tragic historical facts, comedian historical significance and dramatic historical bravery. The truth of his comedian face lies in his value of "writing to penetrate into life in a tragic mood and detach from life in a humorous mood", which is also the "golden humor" of UU Zhen-yun.
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