Cinememory： Sexualized Trauma and Coming of Age in Holocaust-Related Israeli Films  

作　　者：Sandra Meiri 

机构地区：[1]The Open University of Israel, Raanana, Israel

出　　处：《Journal of Literature and Art Studies》2014年第4期264-276,共13页文学与艺术研究（英文版）

摘　　要：Since 1978 Israeli Holocaust-related narrative films have associated the violence experienced during the Holocaust, including sexual violence, with the violence permeating Israeli society. In keeping with Marianne Hirsch＇s notion of ＂postmemory＂, this paper argues that cinema, as a visual form of artistic mediation, has an especially strong impact on the spectator, because it triggers affective, tactile, and bodily responses. Hence, the efficacy of generating an ethics of remembrance of sexually-related violence, based on cinematic aesthetics, which the author terms here ＂cinememory＂. The paper focuses on a sub-genre of Holocaust-related films： coming-of-age films, which explore in different ways the lasting implications of growing-up in the shadow of sexualized trauma; the unconscious transmission of memories and tactile experiences, related to the ubiquity of sexual violence during the Holocaust.

关 键 词：coming-of-age sexualized violence transgenerational trauma cinememory ethics of remembrance 

分 类 号：TN912.15[电子电信—通信与信息系统] S858.237.1[电子电信—信息与通信工程]