山水画“有意味的”笔墨语言的审美认知  

Aesthetic Understanding of Landscape Painting with the Meaning of Pen and Ink Language

作　　者：王海峰[1] 

机构地区：[1]安徽三联学院艺术系,安徽合肥230601

出　　处：《黑河学院学报》2014年第2期100-103,共4页Journal of Heihe University

基　　金：安徽省教育厅人文社科研究项目<从写生中体味山水画"线"的笔墨语言创新的实践与研究>(SK2013B185)

摘　　要：中国山水画"有意味的"笔墨语言之审美是欣赏传统艺术的核心内容。笔墨语言魅力对于中国山水画格调、审美等的影响和意义极为重大。其有意味之处在于笔墨痕迹造型之美、水墨韵致之美、笔墨交融之美、笔墨意境之美。山水画的笔墨语言通过丰富而成熟的表现形式浸入山水画的肌体,与山水画作品完美地融为一体,凭借其独特的审美美学,展现出笔墨语言的艺术韵味。Chinese landscape painting with the meaning of pen and ink language aesthetic isthe core top- ic. The pen and ink language charm for Chinese landscape painting style are of aesthetics and significance Landscape painting pen and ink language through rich and mature forms in landscape painting and landscape painting in the body, works perfect with its unique aesthetic, showing the pen and ink language artistic charm.

关 键 词：山水画 笔墨语言 传统艺术 

分 类 号：J222[艺术—美术]