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机构地区:[1]江西师范大学历史文化与旅游学院,江西南昌330022
出 处:《江西师范大学学报(哲学社会科学版)》2014年第2期102-110,共9页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基 金:国家社科基金项目"清代及民国时期湘赣边区的土客矛盾与区域社会变迁"(编号:08CZS010);江西省社会科学"十二五"规划项目"国家认同与区域文化改造:明代以来江西地方志研究"(编号:11LS03)
摘 要:史志编纂既是国家意志延伸的重要渠道,也是地方表达话语权和构建话语机制的重要载体。由宋代至清代,地方志的编纂愈来愈多地在接受国家意志的过程中呈现出对抗、争夺的姿态,进而突出地方色彩,摆脱了"失语"的困境。卢光稠这一人物形象在历代方志中交错繁复的变化,便是国家和地方社会力量博弈生动而深刻的体现。Chorography compilation is an important channel to extending the will of the state. Moreo- ver, it is also important for local society to express its fight of speech and even to construct its dis- course mechanism. From the Song Dynasty to the Qing Dynasty, more and more local color was pro- jected in chorography compilation,which assumed more confrontational posture in the process of re- ceiving the will of the state. LU Guangchou, whose written image changed frequently in the chorogra- phy of successive dynasties, was a vivid and profound embodiment of the contention between stateand local society.
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