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作 者:杜若松[1]
出 处:《辽宁师范大学学报(社会科学版)》2014年第3期399-404,共6页Journal of Liaoning Normal University(Social Science Edition)
基 金:教育部社科基金(10YJA751047)
摘 要:近代女性期刊中的文学叙事女性性别主体构建,是一个融合政治话语、历史语境、审美理想、文化象征等多种意义包含其中的有意味的形式。"内外""闺阁"与"社会"的思维定势外化为女性构建的两种路径:以国家救亡为功利性目标感召下的爱国"女杰"形象;以新知识武装的"新贤妻良母"系列。这两类女性形象在近代女性著名期刊《女子世界》与早期的《妇女杂志》中有充分地体现,而如柳亚子、叶圣陶等近现代知识分子也通过自身文学创作回应了两种路径的观点和主张。性别主体构建体现了前"五四"时期对于女性性别主体的"选择性忽略",女性的价值判断标准经历了"国家"到"家庭"的转换,但唯独没有自身生命价值的体认和彰显,这也预示了"五四"文学女性主题的先声和缺憾。The modern women literature subject building is a meaningful form,which included political dis- course, historical context, aesthetic ideal and cultural symbol. It is divided into two new practice ways. women hero images ,who save country as the utilitarian goal; the "new wife and mother" series armed with the new knowledge. These two kinds of female images in Women 's World and Women Magazine, fa- mous journals has fully reflected. The writer such as Liu Yazi and Ye Shengtao also used their novels to respond to the concept of views and opinions. It's a pity that the value of women life has been neglected, Gender subject construction shows a selective negligence of women gender subject in Pro-May Fourth Peri- od. Women's value judgment transformed from nation to family, which didn't embody their life value recogntion,which also caused the "May Fourth" women literature's subject missing.
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