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作 者:田胜利[1]
出 处:《西北大学学报(哲学社会科学版)》2014年第3期114-121,共8页Journal of Northwest University:Philosophy and Social Sciences Edition
基 金:中国人民大学科研项目(13XNH199)
摘 要:《焦氏易林》象征和《诗经》比、兴运用的物象,具体可感,委婉含蓄,象征与比、兴借助于物象而相通。林辞引《诗》是诗歌的爻辞化,林辞以诗的形式为载体,则是爻辞的诗歌化,二者的情感指向双向贯通,具有一致性。《焦氏易林》衍《易》而成,象征手法贯穿整个爻辞的编撰,爻辞趋向于诗化,却也有别于纯粹的诗。Images used by bi, xing of The Book of Songs and symbols of Jiaoshiyilin are concrete and implicit, which bridge symbols and bi, xing together smoothly. Lin changes songs to yaoci by citing songs and makes yaoci poetized by using poetic form, so that their emotional direction are two way. Jiaoshiyilin is deduced from yi, thus symbolism is the main writing technology across through the whole compile. Yaoci tends to poetized, but differs from pure poem.
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