佟晶心戏曲研究的学术取径与创新意义——民国时期戏曲研究学谱之十八  

Academic Orientation and Innovative Significance of Tong Jingxin's Traditional Chinese Opera Research

作　　者：赵兴勤[1] 赵韡[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《中国矿业大学学报（社会科学版）》2014年第2期48-59,2,共12页Journal of China University of Mining & Technology(Social Sciences)

摘　　要：佟晶心是最早使用"话剧"这个词的人,他在《剧学月刊》、《歌谣》等当时知名的学术刊物上发表戏曲及民俗研究论文数十篇,他的专著《新旧戏曲之研究》被誉为"革命式的书",学术观点曾得到卢前、赵景深、台静农、吴晓铃、叶德均、顾颉刚、罗常培、谭正壁等著名学人及名伶程砚秋等人的关注。佟氏还是一名高产的剧作家,在话剧及传统戏曲方面均有作品问世。令人遗憾的是,佟晶心和杜颖陶、邵茗生等人一样,均是20世纪上半叶古代戏曲研究史上不容忽视却久被忽略的"失踪者"。这种学术史地位与研究史现状之间的悖论,再次说明目前的学术研究史版图还远远称不上丰富和完整。Tong Jingxin is the man to use the word “drama” at the earliest time. He published about ten research papers on drama and folk custom in the then well-known academic journals such as Drama Monthly and Ballad. His “Study of the Old and the New Drama” has been honored as a “revolutionary” work. His academic viewpoints have been paid great attention to by the famous Chinese actor Cheng Yanqiu and by the famous Chinese scholars such as Lu Qian, Zhao Jingshen, Tai Jingnong, Wu Xiaoling, Ye Dejun, Gu Jiegang, Luo Changpei, and Tan Zhengbi, among others. Tong Jingxin is also a productive playwright with works in drama and traditional opera. Unfortunately, Tong Jingxin, just like Du Yingtao, Shao Mingsheng, has been overlooked for such a long time as being “invisible” in the research history of the ancient traditional opera in the first half of the twentieth Century. The paradox between one＇s status in the academic history and one＇s status quo in the research history further shows that the current domain of academic research history is far from being rich and complete.

关 键 词：民国时期 戏曲研究 学谱 佟晶心 

分 类 号：J809[艺术—戏剧戏曲]