回族砖雕中凤凰图案的宗教意蕴——基于临夏市伊斯兰教拱北建筑的象征人类学解读  

Religious Implications of Phoenix Patterns in Hui Brick Carvings——Based on the Symbolic Anthropological Interpretation of Linxia Gongbei Architecture

作　　者：周传斌[1] 马文奎[1] 

机构地区：[1]兰州大学西北少数民族研究中心,甘肃兰州730020

出　　处：《北方民族大学学报（哲学社会科学版）》2014年第3期101-107,共7页Journal of North Minzu University(Philosophy and Social Science)

基　　金：教育部新世纪优秀人才支持计划项目"伊斯兰思想及中国化"(NCET-13-0268)

摘　　要："凤凰"是汉文化传统中的祥瑞之鸟,在伊斯兰教苏非文学当中,也有一种具有宗教意蕴的神鸟"西摩革"(Simurgh),二者在来源与象征意义上有相似之处。在国家非物质文化遗产甘肃临夏砖雕当中,凤凰图案频繁出现,并成为伊斯兰教拱北建筑中的一种砖雕主题。这种现象是伊斯兰教在中国"地方化"(localization)的表现,是回族苏非门宦创造性运用汉文化资源的一个案例。这进一步证明伊斯兰教同任何其他宗教一样,具有丰富多彩的地方化样式。Phoenix is auspicious bird in Chinese traditional culture, a holy bird Simurgh in Sufi Literature as well, of which have similarities in terms of the source and symbolic meaning. Gansu Linxia brick carving, as one of national intangible cultural heritages, has phoenix patterns in it, which has become a theme of brick carving in Islamic Gongbei buildings. This phenomenon is the localization of Islam in China, as well as a case of implementing Chinese Culture into Hui Muslims＇ Sufi Sects with creativities, from which, the authors prove that Islam, the same as other religions, has rich and colorful modes of localization.

关 键 词：凤凰 砖雕 象征 伊斯兰教 地方化 

分 类 号：B968[哲学宗教—宗教学]