《诗经》与中国昆虫文学的萌芽  

Book of Songs and the Origin of Chinese Entomological Literature

作　　者：李璐[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《邵阳学院学报（社会科学版）》2014年第3期103-108,共6页Journal of Shaoyang University:Social Science Edition

基　　金：教育部高职高专动物生产类专业教学指导委员会立项课题"农林类高职院校特色校园文化建设的定位与实现机制研究"(DJZW0820);湖北省教育厅人文社科项目(2013 b203)

摘　　要：《诗经》中描绘了大量的动植物,这种寓情于物文学现象的产生,不是偶然的灵光初现,而是昆虫文学萌芽的必然选择。文章从文学意象入手,通过定量分析方法,再现《诗经》中昆虫的文学图谱,理顺《诗经》中昆虫意象的分类,结合先秦社会的政治、经济格局,并进行文学形象的分析,从而得出中国昆虫文学萌芽于《诗经》的结论。Book of Songs illustrates a large number of animals and plants. The occurrence of thisliterary phenomenon of implying emotions into objects is not the occurrence of accidental inspiration, butinevitable choice of the beginning of entomological literature. The paper starts with the literary image toreproduce the literary map of insects in Book of Songs with quantitative analysis, explores theclassification of entomological images, and finally concludes that the Chinese entomological literatureoriginated from Book of Songs in the light of the political and economic patterns in the pre-Qin societyand through analysis of the literary images.

关 键 词：诗经 昆虫文学 萌芽 

分 类 号：I207.222[文学—中国文学]