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作 者:郑华玲[1]
机构地区:[1]福建工程学院体育教研部,福建福州350118
出 处:《福建工程学院学报》2014年第2期180-186,共7页Journal of Fujian University of Technology
摘 要:运用文献法、观察法、访谈法对福建省第14届大学生运动会轻器械健美操集体项目,自选动作比赛套路艺术编排的各个要素,进行客观、深入的比较和分析,结果表明:此次比赛前8名成套动作的编排主要以传统健美操单一风格为主、且主题不明确;器械运用形式较无新意;缺乏对角、弧线移动路线的运用以及多视角变化路线、复合型队形移动以及路线变化中器械的运用;空间转换的编排以BA-B为主,其次是B-C-B;过渡与连接的多样性和数量不足,且动作简单;托举的形式过于普通,缺乏创意。突出主题思想,多元化的选择和运用音乐风格与器械;挖掘和创新器械属性的艺术价值;增加对角、斜线和器械抛接的创编;采用难度较高的抛接、传递器械的动作方式;利用肢体和器械展示赛场的三维空间,提高过渡与连接动作创编的复杂性和突然性;大胆采用一些既惊奇又富有创意的托举组合,可以提升轻器械健美操编排的艺术应用价值。Literature survey,observations and interviews are conducted to analyse the present situation of the choreographed freestyle competition routine of light instrument / equipment aerobics collective item in the 14th Fujian University Sports Meeting. Problems in the choreography of the sports item are revealed,which include traditional style of aerobics,non-defined theme,old-fashioned instruments,simple-changed movements,few complex routine,simple arrangement of space conversion,lack of diversity or smooth connections,simple-style instrument handling,non-attractive combination of instruments and movement. Measures are advanced to uplift the artistic choreography of the sports item,which include highlighting the theme,employing multi-music and instrument combinations,exploiting the artistic value of instruments,enhancing multi-formed movements with instruments,increasing the difficulty in handling the instruments; displaying the three-dimensional effect by flexible balancing of limbs,body and instruments; introducing high-level movement transition and connection.
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