盛唐辞赋中的帝国形象  

On the Imperial Images in Prosperous Tang-dynasty Cifu

作　　者：刘伟生[1] 

机构地区：[1]湖南工业大学文学与新闻传播学院,湖南株洲412007

出　　处：《怀化学院学报》2014年第2期92-95,共4页Journal of Huaihua University

基　　金：国家哲学社会科学基金重点项目:<中国辞赋通史>(08AZW001);教育部人文社会科学研究规划基金项目:<赋体叙事勘查与研究>(13YJAZH055);湖南省哲学社会科学基金项目(12YBA116)

摘　　要：盛唐辞赋的强劲气象既体现在个性的张扬、文风的雅健与文体的溢越,更集中于帝唐的意识与帝国的书写。盛唐时代,赋体创作已经彻底突破了题材的拘束,但其中最为显著却是天命瑞象、宫殿典礼、奇伟物景、边塞武功与游艺歌舞等礼赞大唐帝国的作品。这些以帝国为题材的赋通过密集的帝国语汇描绘了一幅幅以国家创建、君臣唱和、京都形胜为核心内容的大唐帝国的图像。盛唐辞赋中有关帝国的书写,透露着赋家们帝国的立场与心态,缘乎盛唐文化的多元与赋家胸襟的阔大。盛唐文化精神造就了盛唐辞赋的成就,但日渐体制化的盛唐文教也开始显露出对辞赋创作的负面影响。The phenomena of prosperous Tang - dynasty in Cifu centralism manifests in the empire＆#39;s consciousness and writing . In prosperous Tang - dynasty ,Cifu creation is almost not affected by the limitation of subjects , but one of the most significant works are those that praise datang empire .These Cifu about the empire depict the image of the datang empire by using plenty of empire vocabulary . In Cifu of prosperous Tang - dynasty , those details about the empire show that these writers own the empire＆#39;s position and consciousness , and this phenomenon is caused by multivariate culture of tang dynasty and open mind of writer .Prosperous Tang culture contributes to the achievement of tang fu ,but it is gradually institutionalized and begins to show negative effects on the Cifu creation .

关 键 词：盛唐 辞赋 帝国形象 帝国语汇 帝国立场 

分 类 号：I206.2[文学—中国文学]