从文化与美学看京城的建筑象征体系  

Architectural Symbol System of Capital with the Perspective of Culture and Aesthetics

作　　者：张法[1,2] 

机构地区：[1]中国人民大学哲学系 [2]浙江师范大学人文学院

出　　处：《中国政法大学学报》2014年第3期130-149,160,共20页Journal Of CUPL

摘　　要：天安门体系作为京城的建筑象征体系,在与梁陈方案的竞争中胜出,代表了共和国前期的时代精神,内蕴着一种民族性格;在改革开放中又有了节庆象征体系的转型和意识形态的转意;新世纪的四大建筑是京城象征体系的一种扩展。本文主要从文化和美学的角度去理解京城建筑象征体系的产生与演进的过程。This paper analyses the birth and evolution of architectural symbol system of capital with the perspective of culture and aesthetics. The system of Tian An Men, trumping Liang-Chen scheme, is the classic architectural symbol system of capital, which represents the times spirit of early PRC with national character. In reform and open times, the system of Tian An Men also has a transform of festival symbol and ideology. The big four buildings of new century are the extension of symbol system of capital.

关 键 词：建筑象征 天安门体系 改革开放时代的演进 新世纪的扩展 

分 类 号：J525[艺术—艺术设计]