江户时代后期日本人对汉诗的认识——以津阪东阳《夜航诗话》为线索  

Japanese People's Understanding of Chinese Poetry in the Late Edo Period——Taking Tsusaka Takayasu's The Night of Poetry as Example

作　　者：道坂昭广[1] 

机构地区：[1]日本京都大学综合人间学部

出　　处：《西华师范大学学报（哲学社会科学版）》2014年第1期7-12,共6页Journal of China West Normal University:Philosophy & Social Sciences

摘　　要：津阪东阳的《夜航诗话》是一部学术氛围很浓的作品,反映了江戸时代后期的日本人对于中国古典诗创作的认识。津阪东阳基于对同时代日本汉诗文创作的强烈不满而写作《夜航诗话》。他推崇以李白、杜甫为代表的唐诗,针对当时诗坛所存在的对汉诗文(尤其是宋诗)一味模仿的流弊,旗帜鲜明地反对盲目接受汉文学。与此同时,津阪东阳主张初学者从绝句开始学习直到律诗是正确的习诗方法,并且强调律诗和绝句是不分民族、国籍的世界文学形式,如果能够遵守作诗的规则,律诗创作无论是在中国还是在日本都没有任何区别。Tsusaka Takayasu＇s The Night of Poetry is a work full of strong academic atmosphere, reflecting Japanesepeople＇s understanding of the creation of Chinese classical poems in the late Edo period. As Tsusaka Takayasu wasstrongly dissatisfied with Japanese Han-poetry creation at the same age,he created The Night of Poetry. He praisedLi Bai and Du Fu as the representative of the poetry of Tang dynasty. In light of the malpractice of blindly imitatingChinese poetry （especially poetry of Song dynasty） , he clearly opposesd to blindly accept Chinese literature. At thesame time, He advocated that the correct method of learning poems was to begin studying the Quatrain and studymetrical poetry later, he also emphasized the verses and quatrains were the world literary form regardless of thewriters＇ nationality. If people are able to comply with the rules of poetry there is no difference in poetry creation re-gardless of China or Japan.

关 键 词：日本 江户时代 汉诗 津阪东阳 《夜航诗话》 

分 类 号：I207.22[文学—中国文学]