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作 者:余霞[1]
出 处:《聊城大学学报(社会科学版)》2014年第3期36-42,共7页Journal of Liaocheng University:Social Science Edition
基 金:湖南省普通高等学校哲学社会科学重点研究基地开放基金项目(13K091):魏晋赋与魏晋玄学;湖南科技大学博士启动基金项目(E51302):魏晋赋与魏晋玄学
摘 要:"向内转"既是汉末魏晋文学总貌的新质素,也是该时期辞赋发展的基本趋势。该趋势在东汉后期已见先绪,在辞赋价值理论以及表现领域均有体现。情感化与玄理化成为汉末魏晋辞赋"向内转"的两个具体向度。汉末魏晋辞赋的"向内转",继承楚骚传统,创造了一片有别于汉代辞赋追求外在世界的审美新天地。“Turn Inward”trend was not only a new quality of literature general appearance during Han and Wei Jin dynasties, but also the basic development character of Fu in this period. The beginning of the trend occurred in the late Eastern Han, and was reflected in the Fu theory and works. Emotionalize and metaphysicalize became two specific dimensions in the trend. And the trend of Fu inherited the tradition of Chu literature and created a new horizon which was different from the Han Fu in pursuit of the external world.
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