叙事客观化:论中国现代散文体小说的叙述修辞  

Narrative Objective: Narrative Rhetoric about Chinese Modern Prose Fiction

作　　者：王爱军[1] 

机构地区：[1]淮阴师范学院文学院,江苏淮安223300

出　　处：《聊城大学学报（社会科学版）》2014年第3期43-49,64,共8页Journal of Liaocheng University:Social Science Edition

基　　金：江苏省社科基金项目(11ZWD019):现代文学文体互渗现象研究

摘　　要：30年代,散文随笔与现代小说发生了真正意义上的互渗融合,诞生了一批散文体小说超文本,其文体特征是叙事的"客观化",主要表现在两个方面:第三人称叙述方式和远聚焦叙述方式。具体而言,是由现代的"展示"取代了传统的"讲述"叙述方式,即往往取材于一种"极单纯渺小的事件",以此暗示出"极复杂极重大的东西",而由事件来暗示指的就是"客观化"地"展示",复杂重大的东西指的就是由"第三人称"或"远聚焦"展示所达到的"认识"功能。1930s, modern prose and fiction infiltrate and integrate each other. A number of fiction prose hypertext were created. Its narrative style is characterized by“objective”, mainly manifested in two aspects： third-person narrative and far-focused narrative. Specifically, the modern“show”instead of the traditional“about”narrative approach that is often based on the kind of“very simple small event”,to imply a“very complex very significant things”,while the event to imply refers to the“objective”ground“show”something significant complexity refers to the“third person”or“far focus”show achieved“know”feature.

关 键 词：散文体小说 叙事客观化 修辞 30年代 

分 类 号：I207.4[文学—中国文学]