语词狂欢中的自我疗救——霍楠囡写作行为分析  

Self-salvation in carnival phraseology: An analysis on HUO Nannans' s writing behaviour

作　　者：耿玉芳[1] 

机构地区：[1]周口师范学院教育科学学院,河南周口466001

出　　处：《周口师范学院学报》2014年第3期61-64,共4页Journal of Zhoukou Normal University

摘　　要：霍楠囡是周口新生代代表诗人,在诗歌中塑造出一系列孤独的个体形象,坚定、淡然地独行于黑白世界之间,表现出对生活的忠实和认真。霍楠囡有着明确的语言意识,在对语言的肆意挥洒中宣泄那些隐藏在无意识深处的痛苦和忧伤,从这一意义而言,诗人的语言行为也就是自我疗救的过程。但对于曾经有过介入现实写作冲动的诗人来说,过度沉溺于语言的精雕细琢使她失却了一份担当精神和直面现实的勇气。透过语言的乌托邦,让人一眼看到主体灵魂的痛苦和现实生活的沉重。As a representative new generation poet in Zhoukou, HUO Nannan created, in her poem, a series of isolated individual characters who firmly and indifferently walk alone in the black and white world, showing their faith and earnest to living. HUO Nannan has the definite language consciousness, thus she can act out her suffering and grief hidden unconsciousness by freely using language. From this sense, the linguistic performance is also self-salvation. But for a poet who once want to involve in the reality, she lost the courage and spirit to face the reality as overindulging refine language. Though the language utopia, we can find the agony of subject and the heavy of reality.

关 键 词：霍楠囡 写作行为 自我疗救 

分 类 号：I207.2[文学—中国文学]