从弗兰克·安吉列斯《浪漫曲》析键钮式手风琴指法的合理运用  

Analysis of Fingering Usage in Accordions with Buttons from Franck Angelis' Romance

作　　者：鲁晓玲[1] 

机构地区：[1]武汉音乐学院演艺学院

出　　处：《黄钟（武汉音乐学院学报）》2014年第2期187-191,共5页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：文章以弗兰克·安吉列斯的《浪漫曲》为研究对象,将乐曲中键钮式手风琴的指法进行归纳,总结出5种典型指法,即:单手多声部旋律的演奏指法、一个八度以上连音大跳中的演奏指法、双音连续进行中的演奏指法、同音重复情况下的演奏指法和同材料模进情况下的演奏指法,并详细阐释了5种指法在《浪漫曲》运用中的合理性。Based on Franck Angelis＇Romance as the research object, this article concluded the fingering of accordions with buttons in the piece, and summed five typical fingerings. They were the playing fingering of multi voices melody at single hand, legato leap over octave, dual notes continuous motion, enharmonic repeat, and sequences with same materials. It also interpreted in details to the rationality of five fingering used inRomance.

关 键 词：键钮式手风琴 指法运用 《浪漫曲》 弗兰克·安吉列斯 

分 类 号：J624.3[艺术—音乐]