科学精神对西方艺术的双重影响  

Twofold Influences of Scientific Spirit on Western Art

作　　者：陈炎[1] 

机构地区：[1]山东大学文艺美学研究中心,山东济南250100

出　　处：《山东师范大学学报（人文社会科学版）》2014年第2期5-22,2,共18页Journal of Shandong Normal University(Humanities and Social Sciences)

基　　金：作者主持研究的教育部人文社会科学重点研究基地重大课题"文明的结构与艺术的功能"(07JJD751079)的阶段性成果

摘　　要：从古希腊开始,西方人就从"摹仿说"入手,将艺术创作看成是认识世界的手段和工具。他们从代数的角度研究音乐,从几何的角度研究建筑,从解剖的角度研究雕塑,从透视的角度研究绘画,从历史的角度研究文学……这种研究既造就了西方艺术的辉煌成果,又导致了西方艺术的观念误区。科学手段的介入,确实能给艺术创作带来某种手段上的支撑;但科学精神的渗透,又常常遮蔽了艺术创作的美学目的。不了解科学精神对艺术创作的正面影响,就不可能真正理解西方艺术的光辉业绩;不了解科学精神对艺术创作的负面影响,就不可能彻底反思西方艺术所存在的问题。From the perspective of ＂mimesis＂, the Westerners have all along been considering art as the means and tools of knowing the world since the age of ancient Greece. They therefore speculate music in terms of algebra, architecture in terms of geometry, sculpture in anatomy, painting in perspective, litera- ture in history, etc. The approach as such has reaped marvelous achievements of Western art and con- cepts of fallacy as well. For, notwithstanding the intervention of scientific methods does provide art with certain kind of support of means, the infiltration of its spirit often blocks the aesthetic purposes of art. Consequently, it is impossible to truly understand the brilliant achievements of Western art without under- standing the positive influences of science on art ; in the same vein, it is again impossible to reflect on its problems without knowing its negative influences on it.

关 键 词：西方艺术 科学精神 哲学思辨 美学问题 

分 类 号：I206.7[文学—中国文学]