论著作权法上作品的本质属性  

On the Fundamental Nature of Works Stipulated by Copyright Law

作　　者：袁海英[1] 马骄[2] 刘海燕[1] 

机构地区：[1]河北大学政法学院,河北保定071002 [2]中南财经政法大学刑事司法学院,湖北武汉430073

出　　处：《河北大学学报（哲学社会科学版）》2014年第3期82-86,160,共5页Journal of Hebei University(Philosophy and Social Science)

基　　金：河北省社科基金项目<网络环境下著作权非自愿许可制度与我国著作权法修改>(HB13FX015)

摘　　要：作品本质属性问题也就是作品的相邻属概念问题。智力成果、表达方式和表达都不是作品的本质属性和相邻属概念。表达物是指符号的有序组合,其质料是语言、文字、线条、色彩等符号,其形式是符号之间的关系。作品的本质属性是表达物的设计方案,也就是符号的组合方案。The issue of fundamental nature of works is the question of neighboring category concept of the works. None of the intellectual achievements, expressing modes or expression is the fundamental nature and neighboring category concept. The expressing object refers to the organic combination of symbols, the material of which is language, words, lines, colors, and the mode of which is mutual relations between those symbols. The fundamental nature of works is the designed program of expressing object, as well as the combining program of symbols.

关 键 词：著作权 作品 本质属性 表达物 设计方案 

分 类 号：D923.41[政治法律—民商法学]