电影生产的逻辑向度  

The Logic Dimension of Film Production

作　　者：蓝凡[1] 

机构地区：[1]上海大学影视艺术技术学院,上海200444

出　　处：《吉林艺术学院学报》2014年第2期8-14,共7页Journal of Jilin University of Arts

基　　金：上海市重点学科建设"电影学"资助项目(S30103)阶段性成果之一

摘　　要：电影生产的逻辑向度是以制片为本的向度,也就是以资本为本的向度。制片模式的独立性与多样性是辩证统一的,乃是电影生产、创作的资本性、技术性与协同性三者统一的结果,是相对与绝对的矛盾统一。电影制片对电影生产的控制,是一种以资本控制的生产控制,一种以原创经济特有的逻辑为标志的资本控制。独立电影的资本游戏是一种悖性游戏,它体现了艺术与商业在电影生产上的背离所带来的尖锐矛盾。The logic dimension of film production is based on filmmaking, which also be considered as dimension based on capital. The independence and diversity of production mode belong to a dialectical unity, resulting from the combination of capital, technology and cooperation of film production and creation, and being a contradictory unity of relativity and absoluteness. The filmmaking＇s control of film production is a kind of capital production control, and a capital control marked by original economic logic. The capital game of independent film is a contradictory game which reflects the sharp contradiction between art and commence in film production.

关 键 词：电影生产 制片为本 辩证逻辑 

分 类 号：J90-02[艺术—电影电视艺术]